
The exhibit includes nineteenth- and early twentieth-century books, sheet music, concert posters, songbooks, and other artifacts. The exhibit was curated by John Davis, a concert pianist and Brown University alumnus. Davis contributed some of his own collection to the exhibit.
“The trans-oceanic dynamic triggered by the African slave trade played a foundational role in the development of jazz, rhythm and blues, and rock and roll,” Davis said, “and initiated a set of structural parameters and comedic archetypes that have become hallmarks of the American performing arts in theater, film, radio and television.”

