
Funded by the Knight Foundation, the award honors a living choreographer whose body of work is distinguished in its artistry and originality of thought and impact, and who provides significant contributions to the dance field, expands audiences for dance, and ensures the art form has a prominent place in U.S. culture. It includes a $30,000 unrestricted cash prize and $20,000 in programmatic support over the next two years.
“In rooms you are not in, people are speaking highly of you and your work and are selecting you to move forward in the process. That my work is recognized by peers, facilitators, presenters and funders means everything to me,” said Dr. Oliver. “I know my art is not for everyone. We do our best at what we are moved to make and hope that it lands with folks in some way. When it does, and even when it doesn’t, I hope folks recognize that each project is its own effort, its own world, and has a distinct aesthetic, concept and direction. Artists make a lot of work over time. It is the body of work that an award like this celebrates — our sustained research, not any individual project. I respect and am grateful for that.”
An Illinois faculty member since 2000, Dr. Oliver creates experimental dance-theater works that explore Blackness, feminism, Black masculinity, and Afro-Caribbean cultures. She teaches courses on dancing techniques, composition, performance, post-colonial and feminist theory, and African American and African-Caribbean influences in American performance and cultural production. Her scholarship explores performance in the Anglophone Caribbean, particularly in the U.S. Virgin Islands. Dr. Oliver is the author of Queen of the Virgins: Pageantry and Black Womanhood in the Caribbean (University Press of Mississippi, 2009).
In 2017, Dr. Oliver, a recipient of the Guggenheim fellowship, began a five-year term as associate vice chancellor for research and innovation in the humanities, arts, and related fields at the University of Illinois. She currently serves as a special advisor to the chancellor for arts integration.
Dr. Oliver is a graduate of Adelphi University in New York, where she earned her bachelor of fine arts degree in dance with a minor in political science. She holds a master’s degree in literature, performance, and culture in the Caribbean and a Ph.D. in performance studies with a focus on performance in the Anglophone Caribbean from New York University.

